{"title":"pochoir","description":null,"products":[{"product_id":"lucio-fontana-concetto-spaziale-1959","title":"Lucio Fontana, Concetto Spaziale 1959","description":"\u003ch2 class=\"font-claude-response-body break-words whitespace-normal\"\u003eConcetto Spaziale 1959\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Lucio Fontana\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Concetto Spaziale (for XXe Siècle No. 12)\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1959\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Pochoir in colour\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 31 × 24 cm (12 3\/8 × 9 5\/8 in)\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e 1,500 — published by San Lazzaro, Paris\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e San Lazzaro, Paris (XXe Siècle)\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Limited edition pochoir — from XXe Siècle No. 12\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eConcetto Spaziale\u003c\/em\u003e (1959) is a pochoir produced for the twelfth issue of \u003cem\u003eXXe Siècle\u003c\/em\u003e — the legendary Parisian art review founded and directed by G. di San Lazzaro, which between 1938 and 1976 published original graphic works by the most significant artists of the twentieth century, including Picasso, Miró, Ernst, Calder, and Kandinsky. The pochoir — a stencil-based printing technique associated with the highest standards of French fine art reproduction — presents two cuts on a flat green field: one vertical, one diagonal, the white paper showing through each incision with the clarity and finality of Fontana's hand.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe image is a reproduction of Fontana's most radical and most celebrated gesture — the \u003cem\u003etaglio\u003c\/em\u003e, the cut that defines his entire mature practice. Beginning in 1958, Fontana sliced through the surface of his canvases with a Stanley knife in single, decisive strokes, declaring that painting as a flat surface had exhausted its possibilities and that the cut — the literal penetration of the picture plane — was the only remaining gesture of genuine consequence. The \u003cem\u003eConcetto Spaziale\u003c\/em\u003e (Spatial Concept) works are not paintings with cuts in them; they are cuts that happen to be on canvas, the void beyond the surface being the actual subject of the work.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the pochoir, the cut is simulated: the green field is printed flat, the white lines are printed rather than physical incisions. Yet the image retains the essential logic of the gesture — the surface interrupted, the void implied, the eye drawn to the gap between what is present and what is absent. For a review that circulated in an edition of 1,500, \u003cem\u003eXXe Siècle\u003c\/em\u003e produced some of the most significant original graphic works of the postwar period, each issue constituting a portfolio of original prints by its contributing artists.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFontana's work is held in the permanent collections of MoMA, the Tate, the Pompidou, and the Guggenheim. His \u003cem\u003eConcetto Spaziale\u003c\/em\u003e paintings regularly achieve seven and eight figures at auction — making this pochoir an outstanding and historically significant point of entry into his practice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping \u0026amp; Delivery:\u003c\/strong\u003e\u003cbr\u003e✔ Worldwide shipping from France\u003cbr\u003e✔ Professional packaging with insurance\u003cbr\u003e✔ Tracking number included for secure delivery\u003c\/p\u003e\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\u003cdiv class=\"pt-0.5\"\u003e\n\u003cdiv class=\"gizmo-shadow-stroke flex h-6 w-6 items-center justify-center overflow-hidden rounded-full\"\u003e\n\u003cdiv class=\"relative p-1 rounded-sm h-9 w-9 text-white flex items-center justify-center\"\u003e\n\u003cp\u003e\u003cspan class=\"S1PPyQ\"\u003e\u003ca title=\"Collection Andy Warhol\" href=\"https:\/\/lynartstore.com\/collections\/andy-warhol?_pos=1\u0026amp;_psq=andy\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/lynartstore.com\/pages\/contact-us\" title=\"Contact\"\u003e➡️ Contact us for any question\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFAQ\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eIs this an original Lucio Fontana work?\u003c\/strong\u003e\u003cbr\u003eYes — an original pochoir in colour, published by San Lazzaro, Paris, for \u003cem\u003eXXe Siècle\u003c\/em\u003e No. 12 in 1959, during Fontana's lifetime and with his participation.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat is a pochoir?\u003c\/strong\u003e\u003cbr\u003eA pochoir is a stencil-based printing technique, associated with the highest standards of French fine art reproduction — used by San Lazzaro's \u003cem\u003eXXe Siècle\u003c\/em\u003e to produce original graphic works by the artists featured in each issue.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat is XXe Siècle?\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eXXe Siècle\u003c\/em\u003e was a legendary Parisian art review founded by G. di San Lazzaro, published between 1938 and 1976, each issue containing original graphic works by leading artists of the twentieth century — Picasso, Miró, Ernst, Calder, Fontana, and many others.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat is the edition size?\u003c\/strong\u003e\u003cbr\u003e1,500 impressions — the standard edition size for \u003cem\u003eXXe Siècle\u003c\/em\u003e publications.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhat is the Concetto Spaziale?\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConcetto Spaziale\u003c\/em\u003e (Spatial Concept) is the name Fontana gave to his series of cut canvases, begun in 1958 — works in which a single knife cut through the canvas surface constitutes the entire artistic gesture, the void beyond the surface being the true subject.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDo you ship internationally?\u003c\/strong\u003e\u003cbr\u003eYes — worldwide, with museum-grade flat packaging, full insurance, and shipment tracking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Andy Warhol","offers":[{"title":"31 × 24 cm","offer_id":54770586648922,"sku":null,"price":9500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0243\/8699\/4210\/files\/LUCIOFONTANAConcettospaziale.png?v=1789116740"}],"url":"https:\/\/lynartstore.com\/fr\/collections\/pochoir.oembed","provider":"LYNART STORE","version":"1.0","type":"link"}