{"product_id":"elizabeth-catlett-rebozos-copie","title":"Elizabeth Catlett – The Torture of Mothers","description":"\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003ch2 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eThe Torture of Mothers, 1970–2003\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Elizabeth Catlett (American-Mexican, 1915–2012)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Lithograph in colors on Arches paper\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eDimensions (sheet):\u003c\/strong\u003e 38.1 × 56.5 cm (15 × 22 1\/4 in)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eDimensions (image):\u003c\/strong\u003e 23.2 × 27.3 cm (9 1\/8 × 10 3\/4 in)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e Artist's Proof (A\/P), outside the edition of 25\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003eSigned:\u003c\/strong\u003e Yes — signed in pencil, titled, dated '1970–2003' and annotated 'A\/P' \u003cstrong\u003eFramed:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cstrong\u003ePrinted:\u003c\/strong\u003e 2003 (second edition, from the original 1970 composition)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe work exemplifies the powerful visual language of Elizabeth Catlett, one of the most significant printmakers and sculptors of the twentieth century, whose entire career was driven by a profound commitment to the representation of Black and Latino women and the dignity of marginalized peoples. Created in 1970, The Torture of Mothers is one of Catlett's most politically charged compositions — a direct response to the systemic violence and injustice endured by Black mothers in America. The title references the grief and anguish of mothers who witnessed their children fall victim to racial violence, a subject Catlett addressed with unflinching clarity and deep humanity. The use of color amplifies the emotional intensity of the composition, giving the work a raw, visceral power that remains as urgent today as when it was first created.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTrained at the Art Institute of Chicago and under Grant Wood at the University of Iowa, Catlett developed a style at the crossroads of American social realism and the Mexican graphic tradition, shaped by her years at the Taller de Gráfica Popular in Mexico City. This dual heritage gives her prints a rare visual and political density, recognized today in the world's most prestigious collections — from the MoMA to the Smithsonian.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePreserved with full margins and presented in a frame, the work is in excellent condition.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e Very good condition. Full margins preserved. Not examined outside of frame. Full condition report available upon request.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eShipping \u0026amp; Delivery\u003c\/strong\u003e Worldwide shipping from France Professional packaging with full insurance Secure tracked delivery\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/lynartstore.com\/pages\/contact-us\" title=\"Contact\"\u003e➡️ Contact us for any question\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/lynartstore.com\/collections\/elizabeth-catlett?_pos=1\u0026amp;amp;_psq=eliza\u0026amp;amp;_ss=e\u0026amp;amp;_v=1.0\" title=\"collection Elizabeth Catlett\"\u003e➡️ See all available works by Elizabeth Catlett\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFAQ\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs the work signed?\u003c\/strong\u003e Yes — signed in pencil by the artist, titled, dated '1970–2003' and annotated 'A\/P'.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs this a limited edition?\u003c\/strong\u003e This is an Artist's Proof (A\/P), outside the official edition of 25 — a status that makes it a non-commercial example, generally considered rarer on the secondary market.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWho is Elizabeth Catlett?\u003c\/strong\u003e Elizabeth Catlett (1915–2012) is one of the most important printmakers and sculptors of twentieth-century American art. Her humanist and politically engaged work is held in the collections of MoMA, the Smithsonian American Art Museum, and the Studio Museum in Harlem, among others.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs the work framed?\u003c\/strong\u003e Yes.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the difference between an A\/P and a numbered edition?\u003c\/strong\u003e An Artist's Proof is produced outside the main edition, for the artist's personal use. These examples are generally fewer in number and considered rarer on the secondary market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\" class=\"h-px w-full pointer-events-none\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Elizabeth Catlett","offers":[{"title":"23.2 × 27.3 cm","offer_id":53690838876506,"sku":null,"price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0243\/8699\/4210\/files\/photosite_48.png?v=1772100550","url":"https:\/\/lynartstore.com\/products\/elizabeth-catlett-rebozos-copie","provider":"LYNART STORE","version":"1.0","type":"link"}