{"product_id":"josef-albers-sp-iii-homage-to-the-square-1967","title":"Josef Albers - SP III (Homage to the Square) 1967","description":"\u003ch2 data-start=\"130\" data-end=\"165\"\u003e SP III (Homage to the Square) 1967\u003c\/h2\u003e\n\u003cp data-start=\"90\" data-end=\"128\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong data-end=\"111\" data-start=\"100\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Josef Albers\u003c\/span\u003e\u003cbr data-end=\"174\" data-start=\"171\"\u003e\u003cstrong data-end=\"185\" data-start=\"174\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eSerigraph in colours\u003c\/span\u003e\u003cbr data-end=\"247\" data-start=\"244\"\u003e\u003cstrong data-end=\"262\" data-start=\"247\"\u003eSheet Size:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e 61.5 × 61.5 cm\u003c\/span\u003e\u003cbr data-end=\"280\" data-start=\"277\"\u003e\u003cstrong data-end=\"292\" data-start=\"280\"\u003eEdition:\u003c\/strong\u003e\u003cspan\u003e 14\u003c\/span\u003e\u003cbr data-end=\"301\" data-start=\"298\"\u003e\u003cstrong data-is-only-node=\"\" data-end=\"314\" data-start=\"301\"\u003eMarkings:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eUnsigned — titled in the lower margin\u003c\/span\u003e\u003cstrong data-end=\"1182\" data-start=\"1167\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"387\" data-end=\"971\"\u003e \u003c\/p\u003e\n\u003ch3 data-start=\"387\" data-end=\"971\"\u003e\n\u003cstrong data-start=\"387\" data-end=\"403\"\u003eDescription:\u003c\/strong\u003e \u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eSP III (Homage to the Square)\u003c\/em\u003e (1967) is a work of extraordinary economy and depth — four concentric squares, progressively lighter values of grey nested within a deep forest green border, generating an optical vibration that no reproduction can fully convey. This is Josef Albers at the purest expression of his life's work: the systematic, almost scientific investigation of how colours interact, how the eye is deceived, and how perception itself can be made the subject of art.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe \u003cem\u003eHomage to the Square\u003c\/em\u003e series — initiated in painting in 1950 and pursued relentlessly until Albers's death in 1976 — comprises over a thousand works, each one a controlled experiment in colour relativity. The format never changes; only the colours do. Yet within that rigid constraint, Albers produced an inexhaustible range of visual and emotional effects. Here, the cool progression from dark slate to pale silver grey, held within the deep green exterior, creates a sense of recession and luminosity simultaneously — the innermost square appearing to recede into shadow or to glow with contained light, depending on the conditions of viewing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eProduced in a serigraph edition of just 14 — an exceptionally small number that places this work among the rarest of all Albers prints — the impression is titled in the lower margin. Albers's work is held in the permanent collections of MoMA, the Guggenheim, the Tate, and the Bauhaus-Archiv Berlin, and his prints are actively sought by collectors of post-war abstraction, Minimalism, and Op Art worldwide. At this edition size, examples of this rarity seldom appear on the market.\u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1003\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1003\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"1248\" data-start=\"1224\"\u003eShipping \u0026amp; Delivery:\u003c\/strong\u003e\u003cbr data-end=\"1251\" data-start=\"1248\"\u003e✔ Worldwide shipping from France\u003cbr data-end=\"1286\" data-start=\"1283\"\u003e✔ Professional packaging with insurance\u003cbr data-end=\"1328\" data-start=\"1325\"\u003e✔ Tracking number included for secure delivery\u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1003\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"S1PPyQ\"\u003e\u003ca href=\"https:\/\/lynartstore.com\/products\/josef-albers-homage-to-the-square-1978?variant=51529807266138\"\u003e➡️ View all available works by Josef Albers\u003c\/a\u003e\u003cbr data-end=\"1016\" data-start=\"1013\"\u003e\u003ca title=\"Contact\" href=\"https:\/\/lynartstore.com\/pages\/contact-us\"\u003e➡️ C\u003c\/a\u003e\u003ca title=\"Contact\" href=\"https:\/\/lynartstore.com\/pages\/contact-us\"\u003eontact us for any inquiries\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1003\"\u003e \u003c\/p\u003e\n\u003ch3 data-start=\"407\" data-end=\"421\"\u003e\u003cstrong data-start=\"410\" data-end=\"421\"\u003eFAQ \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs this an original Josef Albers serigraph?\u003c\/strong\u003e Yes — an original serigraph in colours, titled in the lower margin, from an edition of 14.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy is this work unsigned?\u003c\/strong\u003e A number of works from Albers's print editions were titled rather than signed in the margin — a practice not uncommon among his prints of the period. The work's authenticity is established by its edition documentation and title inscription.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the edition size?\u003c\/strong\u003e Strictly limited to 14 impressions — one of the smallest editions in Albers's print catalogue, making this an exceptionally rare work.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the Homage to the Square series?\u003c\/strong\u003e Initiated in 1950 and continued until Albers's death in 1976, the series comprises over a thousand works — all sharing the same format of concentric squares — dedicated to the systematic study of colour interaction and visual perception.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat condition is the work in?\u003c\/strong\u003e Please contact us for a full condition report.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs the work framed?\u003c\/strong\u003e Please contact us for framing options.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDo you ship internationally?\u003c\/strong\u003e Yes — worldwide, with museum-grade packaging, full insurance, and shipment tracking.\u003c\/p\u003e","brand":"Josef Albers","offers":[{"title":"Default Title","offer_id":54198123430234,"sku":null,"price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0243\/8699\/4210\/files\/SPIII_HomagetotheSquare_1967.png?v=1779713235","url":"https:\/\/lynartstore.com\/products\/josef-albers-sp-iii-homage-to-the-square-1967","provider":"LYNART STORE","version":"1.0","type":"link"}