Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, and Pop art. A self proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists who make the written word a central element of their oeuvre.
The artist spent his childhood in and around Indianapolis. After military service, he attended the School of the Art Institute of Chicago on the G.I. Bill, graduating in 1953 with a fellowship to study art in Edinburgh. Upon his return to the United States in 1954, he settled in New York City. In 1958 he changed his last name to Indiana, assuming what he called his “nom de brush” and acknowledging his roots in the American Midwest.
Indiana began a series of paintings in 1961 with a bold sense of graphic design and an affinity for symmetry and the dynamics of American advertising, Sometimes critical of consumer tendencies or political excesses in American culture, Indiana’s images combined stenciled text and numbers and hard-edged bright colour fields into compelling signs. His ever-popular Love design—first realized as a painting in 1966 and later created in many other media, including sculpture—became a Pop icon of the 1960s.
On Valentine’s Day, February 14, 1973, the U.S. Postal Service issued Indiana’s design as a commemorative stamp. His work was also the subject of many exhibitions, including the retrospective “Robert Indiana: Beyond Love” (2013–14), held at the Whitney Museum of American Art. From 1978 until his death, Indiana lived and worked in Vinalhaven, Maine.
In 2020, Christie’s New York Sale, sells Robert Indiana’s painting “LOVE” (1967) at $1,335,000 and was the was top lot of the auction sale!